Drawn to the Vampire, Part 6

Penny Dreadful, thank you for being a thing.

Writer and director John Logan created the series for Showtime, inspired by nineteenth-century gothic thrillers that were mass produced and sold on the cheap. You’re likely more familiar with the vintage magazines than you realize; perhaps two of the most famous serial stories to appear in the penny dreadful magazines were String of Pearls and Varney the Vampyre (the former introducing us to Sweeney Todd, “the Demon Barber of Fleet Street,” the latter an early influence of author Bram Stoker, predating Dracula by more than fifty years).

The Showtime series offered a fresh take on classic literature, combining tales from many beloved gothic horrors. Logan borrowed public domain characters such as Dorian Gray, Victor Frankenstein, Van Helsing, and Dr. Jekyll, and placed them in the same setting of Victorian era London.

Showtime’s presentation of Penny Dreadful (starring Timothy Dalton, Eva Green, Josh Hartnett, Reeve Carney, Billie Piper, Harry Treadway, and Rory Kinnear) recently wrapped up after three complete and beautifully tragic seasons. And dammit if I wasn’t devastated to learn that there wouldn’t be a fourth season. Even if they felt that they’d taken the current plotlines and characters as far as they could go, the premise could easily be renewed with a whole new troupe of characters and stories from other gothic horrors. The above mentioned Sweeney Todd and Varney the Vampyre, just to name two. This series was so wonderfully written and acted; at some point, I think I’ll do a series of “Drawn to” illustrations dedicated just to this show. But for now, I’ll let my focus fall upon the ultimate antagonist of the series, and while he wasn’t physically introduced until the third act, this was possibly my favorite portrayal of this infamous figure to date.

Dracula

Mi Vampire_Dracula-Dr Sweet

Christian Camargo portrayed the iconic master vampire. The character of Dracula has appeared in film, television, and theater more times–and by more actors–than I have time to research. He’s been portrayed as mysterious. He’s been suave and sophisticated. He’s been over-the-top and mad with power, and he’s been a vicious beast without mercy. But Camargo’s portrayal combined the best of all worlds. There was a subtlety to his mystery, more aloof and indifferent than “mysterious man of the night.” But when we learn who he truly his, his power shines through without question, letting the viewers know he’s an imposing figure to be feared. Credit must be given–not only to Camargo’s acting chops–but also to the writers, art directors, and set designers to bring this character to life in a way that retained the classic appeal of Dracula while still seeming wholly original.

If you’ve yet to watch the series or don’t have access to Showtime, you can now watch seasons one and two on Netflix. So, uh, yeah. What are you waiting for? You’re still reading, which means you’re not watching. Go. Seriously. Thank me later.

That’s it for today. Until next time…

Drawn to the Vampire, Part 5

“A last fire will rise behind those eyes
Black house will rock, blind boys don’t lie
Immortal fear, that voice so clear
Through broken walls, that scream I hear…”

–Cry Little Sister, Gerard McMann

As a child of the 80s, there really is just one vampire flick that comes to mind in association with Generation X. And said vampire flick boasts one of the most 80s soundtracks imaginable, next to the Breakfast Club. I mean, can you look upon the poster for the 1987 film The Lost Boys and not hear the lyrics, “Cry little sister…“?

And the vampires. I mean, from the perspective of an 80s teenager, these guys were cool as shit. It’s no wonder they chose Kiefer Sutherland to play the role of David, the leader of this rag-tag group of lost souls.

David

The spiked hair, the rocker mullets, The Two Coreys, Jami Gertz (mmm…)–this movie had it all. And speaking of Coreys, did anyone else notice that Corey Haim’s character had a poster of Rob Lowe hanging in his bedroom? I would have loved to be part of that art direction meeting:

Art Director: “We need to decorate the teenage boy’s room. What do teenage boys like?”
Assistant Art Director:”Rob Lowe?”
A.D.: “Perfect.”
A.A.D.: “I was kidding.”
A.D.: “It’s already done.”

(Note: On the DVD commentary, director Joel Schumacher says that it was there because he had recently directed Lowe in the 1985 film St. Elmo’s Fire. But still…)

Apparently, this movie also introduced us to the phrase “vamp out,” a term used regularly in Buffy the Vampire Slayer. The Lost Boys clearly influenced the world of Buffy, especially when you compare the stylistic nature of said “vamping out.” You could swap any given vampire from either movie and you’d hardly notice a difference. That’s not a negative critique–I’m a fan of Buffy, and the style suits the show perfectly. Interestingly enough, Kiefer’s father, Donald Sutherland, starred in the original Buffy the Vampire Slayer movie from 1992.

I’ll keep this post short, ending it with a little throwback video of the above-mentioned song, Cry Little Sister by Gerard McMann. Take a quick second to grab yourself some hair gel… Got it? Good. Now, enjoy.

Drawn to the Vampire, Part 4

Rise…

Sadie Blake

Mi Vampire_Sadie Blake.png

See what I did there? I got right to it with this post. Meet Sadie Blake, as portrayed by Lucy Liu from the movie Rise: Blood Hunter (or simply Rise, as writer/director Sebastian Gutierrez intended, which admittedly, I prefer). Sadie is not what you would consider a conventional vampire. There is no “vamping out,” no fangs, no supernatural powers. In fact, much like the 1982 film, The Hunger (starring Catherine Deneuve, David Bowie, & Susan Sarandon), the word “vampire” is never uttered in this movie.

Sadie was a reporter who was raped and murdered following a story she wrote about a secret gothic cult. After waking up in the morgue, she realized that the cult held more secrets than she previously thought and she vowed revenge against them, hunting down their members one by one.

There’s another interesting correlation between Rise and The Hunger; since the vampires don’t have fangs, they need to use other means to acquire the lifeblood that satiates their cravings. In The Hunger, they use an Ankh pendant. In Rise, Sadie uses a similar secret blade, this one in the form of a cross, as shown in the above illustration tied around her neck.

In Lucy’s own words regarding the movie: “I first read the script at 3:00am in the morning and so I understood the project from that perspective, what it needed and what the character was about. It wasn’t strictly horror—it has an incredible emotional undercurrent, that and it had a thriller, noir quality about it.” I enjoyed the movie but more importantly, it was Lucy’s performance that places her among my favorite pop-culture vampires. How can you not love Lucy Liu? And not for nothing, but in addition to her acting, she’s also an amazing artist–definitely check out her work.

That should do it for today. Hope you enjoyed this illustration, and if you’re not already following my blog, maybe now’s a good time to start, yeah? I mean, really, what’s stopping you? Oh, and if you’re a fan of vampire fiction, my own book is for sale from Amazon. (nudge-nudge)